Publius Vergilius Maro · 70–19 BC

Vergil’s Aeneid

Arma virumque cano

“Arms and the man I sing.” Aeneid I.1

The poem that made Rome. Read it in Rolfe Humphries’ translation with Dr. Joe Carlson’s Reader’s Guide, study it with Wes Callihan in Old Western Culture, and hear it discussed at Roman Roads After Hours.

The cover of The Aeneid of Vergil
Read it

The poem, and a guide through it

Roman Roads Classics

The Aeneid of Vergil

Translated by Rolfe Humphries · Introduction by Dr. Joe Carlson

Humphries’ 1951 translation, back in print for the first time in over half a century, with the translator’s own introduction.

$23.95 Print edition includes the eBookView & buy
Reader’s Guide

The Aeneid of Vergil: Reader’s Guide

By Dr. Joe Carlson

For each of the twelve books: the characters and places, an in-depth summary, and analyses of what Vergil is doing and why it matters now. Discussion questions throughout.

$21.95 Print edition includes the eBookView & buy
A long shadow

Read by saints, poets and founders

St. Augustine

Wept for Dido as a schoolboy, he tells us in the Confessions, and quotes Vergil throughout The City of God.

Dante

Chose Vergil as his guide through Hell and Purgatory in the Divine Comedy.

John Milton

Took up its form for an epic of his own in English, Paradise Lost.

The Great Seal

Two mottoes on the Great Seal of the United States, Annuit coeptis and Novus ordo seclorum, are adapted from Vergil.

Why the Aeneid mattered to the early Christians · a clip from Old Western CulturePlay
Why the Aeneid mattered to the early Christians · a clip from Old Western Culture
Taught in Old Western Culture

Year Two, Unit 1: The Aeneid

Wes Callihan’s lectures take the poem book by book: Rome as an idea, the fall of Troy, the tragedy of Dido, the underworld, the shield of Aeneas, the death of Turnus. Then he turns to Ovid, Lucretius, Lucan and Statius.

Oct 9, 2026 · 1 h 24 min

Vergil and the American Dream

The American founders appropriated the Roman Poet and his works to establish an atmosphere of victory, authority, and dignity. Through the use of literary symbols and allusions, the framers of our great country placed their project squarely within a tradition the roots of which are deep in the ancient world. This talk will consider specific elements from the Great Seal, as designed by the Secretary of Congress, Charles Thomson, and their intentional evocation of Vergil’s poetry, including the Aeneid. Panel discussion with Joe Carlson and Daniel Foucachon.

Dr. Joe Carlson
The introduction and the Reader’s Guide

Dr. Joe Carlson

Joe Carlson holds a BA in Liberal Arts and Culture from New Saint Andrews College, and an MA in Humanities and a PhD in Literature from the University of Dallas. In different lifetimes he has co-pastored a church, co-founded a campus ministry, published (micro) epic poetry, and managed a chain of coffee shops. Currently, he is a Senior Editor with Roman Roads Press and a Literature professor at New Saint Andrews College. He lives in Moscow, Idaho, with his wife and son.