Inferno: Reader’s Guide
ISNB: 978-1-944482-66-4
Published by Roman Roads Press, 2022.
Author: Joe Carlson
Dimensions: 5.5 in x 8.5 in.
Pages: 256
Format: Paperback
Cover: Joey Nance
Inferno: Reader’s Guide
$18.95
The Divine Comedy is one of the greatest works of art ever produced.
It is also one of the most difficult to understand. Let Joe Carlson, poet and translator of the Inferno, guide you through the rough spots, giving you a grasp of the basic structure, content, and flow of the first canticle of Dante’s great poem. With this Reader’s Guide in hand, you will build a familiarity that will inform and reward future readings as well as fan into flame a delight in the story of this magnificent poem.
Stepping out of the modern, secular era and into a medieval Christian one is akin to stepping down from a dock into the middle of a little boat. If you are not careful, and don’t keep your wits about you, it would be easy to fall into the water and become discouraged from ever trying to get back into the boat again. But giving up the boat means giving up the water, the voyage, the experience, and the beauty. In this volume, Carlson comes alongside and helps you into the boat, and points out the sights along the journey. Its goal is not only to help you understand and love Dante, but to read the Divine Comedy as he intended it to be read: as a window through which to see and know and enjoy the Triune God that much more.
This Reader’s Guide walks through the entire Inferno, canto by canto, and includes for each: a list of the characters; the location of the action; a summary of the canto; notes on the text, including allusions, translation comments, context, and information on the main characters; an analysis of each canto; and discussion questions for students.
Joe Carlson (MA Humanities) lives in the DFW metroplex with his wife and son. He received his BA from New St Andrews College, and his MA from the University of Dallas, where he is currently completing his doctoral studies. His thesis explored and unpacked a specifically doxological pedagogy, based on Dante’s educational projects. He has managed a chain of coffee shops, published (micro) epic poetry, co-pastored a church, helped create and staff a university campus ministry, written for the Salvo Magazine blog, and taught many different kinds of classes over the years. It was a passion for the medieval cosmology enjoyed by CS Lewis that eventually brought him back to an ever deepening love for the Divine Comedy.
